Caesarea Maritima

Verse References for this Site:

Two young men in suits and yarmulkes riding a three-wheeled motorcycle in a grocery store aisle with produce and snack shelves.

Big Idea for the Site:

The Roman Theatre: The Struggle for the Remote

While there are many similarities between the way you and your ancient Roman cousin live, entertainment isn’t one of them. At least, we should say, the personal nature of entertainment isn’t. While rudimentary, it’s worth noting that there isn’t a one-to-one correlation with our modern concept of entertainment. If you want to be entertained by a show, it’s going to be done in a public setting, like the theatre found in Caesarea Maritima.

For us today, entertainment is distinctly private. I have my binge shows, my playlists, my pastimes. For Romans, how you entertained yourself was as much a part of being Roman as what you did for work!

Why, with this difference in mind, would we take the time to discuss Roman entertainment? Because while the means of entertainment have shifted over time, the purpose of it hasn’t. Your phone or TV has more influence over how you see the world than nearly any other lens. Whether it be the Roman Theatre or a North American living room, how we entertain ourselves has everything to do with how we act, think, and see the world around us.

Long before discussions on corporate social responsibility and “save the turtles“ campaigns, the Romans knew the power of messaging:

ARCHITECTURE: Roman architecture was not just about building things—it was about creating an idea. An idea of order, of strength, of Rome. The architecture itself told a story, and every arch, every column, every perfectly measured facade whispered (or shouted) one central message: Rome is eternal.

Vitruvius, a Roman architect and engineer whose name you may vaguely remember from high school art class (he’s the guy behind that da Vinci “Vitruvian Man” drawing), wrote the foundational text on Roman architecture. His work, De Architectura, laid out the principles of good building—firmness, usefulness, and delight. But make no mistake, his blueprints were also moral. To build well was to reflect Roman values: symmetry, discipline, and grandeur. Buildings weren’t just buildings; they were sermons of stone.

COINS: Take a look at their coins, for example, which always highlight the prosperity, power, or presence of Rome in their daily lives. Note that, just like today, the coins reflected either an idealized reality (an emperor with a herculean body) or a flat-out lie. If the obverse of the coin said “Peace and Prosperity“, for example, it’s probably time to buy a sword. In general, consider it similar to the U.S. Congress and its naming of legislation. Remember “Affordable Healthcare“?

    If Nero minted a message like: “Grain for the Masses” means “Buy enough food now, because you’re going to get hungry in the coming shortage!” or “Our grain ships just sank at sea and we’re in trouble!” A message like “Unity of the Army” means “A civil war is coming to a village near you!” 

THEATRE: Plays performed weren’t chosen at random; they carried meaning. Many were retellings of myths that subtly reinforced loyalty to the empire, traditional Roman virtues, or the superiority of Roman culture. Even comedy, with all its slapstick antics and crude humor, often mocked foreign cultures or portrayed political figures in ways that shaped public opinion.

The message I’m trying to get to is this: you are a product of where you spend your time. Don’t you remember Lot and Abraham (then Abram) in Genesis 13? Abram offers Lot his choice of the grazing plains, and Lot chooses the land near Sodom. While the land was relatively fertile, it was morally decayed.

Fast forward to Genesis 19, and you see Lot unable to convince his sons-in-law, his wife has turned astray (literally), and his daughters have a pretty screwed up way of solving problems (also literally). Even when we believe we’re strong enough to resist temptation, we will always suffer consequences. Frequently, our stubbornness will affect those whom we’re called to lead.

When you were a child, it seemed more evident. l…a.ksd,fjaoiwjflkasmdlfakmoijw Somewhere along the way we seem to hav

Sometimes, we’ve put ourselves in a bad spot, like the story of Lot. But that’s not always the problem, is it? I mean, did Israel choose to be occupied by a bunch of pig-eating-pagans in Caesarea Maritima? Obviously not.

Very infrequently, we find ourselves in a position that we had no say in. This is the story of Job.

Why bad things happen to good people:

-I did/failed to do something.

-Someone else did the wrong thing, and I was caught in the damage.

-Byproduct of a fallen world.

-God is trying to tell an important story.


Acts 12: The Cross-Checkability of our Bible

Herod Agrippa I’s death is also recorded by Flavius Josephus. Virtually every page of your Bible can be cross-checked with another historical source. This is unique to the Christian and Jewish, nothing like it can be found in Islam, Hinduism, or Sikhism, for example.

Acts 23: Hurry Up and Wait!

What does it mean for a do-er to stay still? How does God use him?

Acts 25: The Gospel when You’re in the Hot Seat.

When Paul’s back is against the wall, how does he summarize his faith?